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The outcome is that of a modern-day Bosch painting — a hellish eyesight of a city collapsing in on itself. “Jungle Fever” is its have concussive force, bursting with so many ideas and themes about race, politics, and love that they almost threaten to cannibalize each other.
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The cleverly deceitful marketing campaign that turned co-administrators Daniel Myrick and Eduardo Sánchez’s first feature into among the most profitable movies due to the fact “Deep Throat” was designed to goad people into assuming “The Blair Witch Project” was real (the trickery involved the usage of something called a “website”).
The film’s neon-lit first part, in which Kaneshiro Takeshi’s handsome pineapple obsessive crosses paths with Brigitte Lin’s blonde-wigged drug-runner, drops us into a romantic underworld in which starry-eyed longing and sociopathic violence brush within centimeters of each other and lose themselves within the same tune that’s playing on the jukebox.
Catherine Yen's superhero movie unlike any other superhero movie is all about awesome, complex women, including lesbian police officer Renee Montoya and bisexual Harley Quinn. This may be the most fun you are going to have watching superheroes this year.
Unspooling over a timeline that leads up towards the show’s pilot, the film starts off depicting the FBI investigation into the murder of Teresa Banks (Pamela Gidley), a sex worker who lived in the trailer park, before pivoting to observe Laura during the week leading as much as her murder.
Seen today, steeped in nostalgia to the freedoms of the pre-handover Hong Kong, “Chungking Specific” still feels new. The film’s lasting power is especially impressive from the face of such a fast-paced world; a world hard sex in which nothing could be more precious than a concrete offer from someone willing to share the same future with you — even if that offer is published over a napkin. —DE
and are thirsting to begin to see the legendary drag queen and actor in action, Divine gives one desivdo of many best performances of her life in this campy and colourful John Waters classic. You already love the musical remake, fall in love with the original.
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Spielberg couples that eyesight of America with a sense of pure immersion, especially during the celebrated D-Day landing sequence, where Janusz Kaminski’s desaturated, sometimes handheld camera, brings unparalleled “you're there” immediacy. The way in which he toggles scale and stakes, from the endless chaos of Omaha Beach, into the relatively small fight at the tip to hold a bridge within a bombed-out, free porn hub abandoned French village — but giving each battle equivalent emotional bodyweight — is true directorial mastery.
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Looking over its shoulder in a century of cinema at the same time because it boldly steps into the next, the aching coolness of “Ghost Pet” may have seemed silly if not for Robby Müller’s gloomy cinematography and RZA’s funky trip-hop score. But Jarmusch’s film and Whitaker’s character are both so beguiling to the Unusual poetry they find in these unexpected combinations of cultures, tones, and times, a poetry that allows this (very funny) film to maintain an unbending sense of self even mainly because it trends towards the utter brutality of this world.
, future Golden World winner Josh O’Connor floored critics with his performance like a young gay sheep farmer in Yorkshire, England, who’s battling with his sexuality and budding feelings for just a new Romanian migrant laborer.